![]() ![]() The world premiere of Return to a Strange Land was on at the Stuttgart Ballet, with the revised version opening on Maat the Nederlands Dans Theater. This relationship between the music and the choreography is very important to Kylián, who explains, “I go very far out of my way to find out why a composer has written each note and each configuration – and to find a visual equivalent.” The understated piano works that make up the score of Return to a Strange Land draw upon Moravian folk dance music, and this folk aspect fuses with the haunting, longing quality of the ballet. He traveled to different regions of the country, diligently collecting traditional music, and incorporated their folk rhythms and styles into his own compositions. Also from Czechoslovakia, Janácek, who lived from 1854 to 1928, was fascinated with the folk music and songs of his native land. StrangeLand Writer Rock of Ages 5.9 Soundtrack ('I Wanna Rock', 'Were Not Gonna Take It') 2012 The Apprentice 4. Return to a Strange Land is set to “On an Overgrown Path” and “In the Mist” from LeoÅ¡ Janácek’s Sonata 1905. Kylián strives to make accessible, unpretentious choreography, by finding common denominators, or “things everyone has been through” upon which to base his works. He is considered one of the most ingenious choreographers of his generation, blending elements from various sources into a unique and very personal style. Kylián has created over 48 ballets – a short list of his masterworks includes Symphony in D, Sinfonietta, Symphony of Psalms, and Transfigured Night. He served as Artistic Director from 1978 to 1999 and is credited with the significant boost in that company’s international reputation. Kylián began to choreograph in 1970 and in 1975 left Stuttgart Ballet to become Nederlands Dans Theater’s full-time resident choreographer and co-Artistic Director. Strangeland is a 1998 American horror film written by Dee Snider and directed by John Pieplow. Consequently, John Cranko, a major choreographer of this period and director of the Stuttgart Ballet, offered him a contract and encouraged Kylián’s ambition to create his own dance works. In 1967 Kylián went to the Royal Ballet School in London and there came into contact with the most important developments in choreography – ballet as well as contemporary dance. Kylián started his dance training when he was nine years old at the ballet school of the Prague National Theatre. He was born in Prague, Czechoslovakia in 1947, but as a young man exiled himself from his homeland in a search for artistic freedom. It is a theme that is familiar to Jirà Kylián. ![]() While the ballet has no story, it mingles themes of passing and reappearance, death and rebirth, with an impression of longing that remains with the audience long after the curtain goes down. Return to a Strange Land was created under the impact of the sudden death of choreographer John Cranko, longtime friend and mentor of the ballet’s creator, Jirà Kylián. PBT Performance Date: March 21-24,1996 īy Carol Meeder, Director of Arts Education.These are the tunes we play or hope to learn over time. Most of the tunes on this page were arranged by Mike and/or Kim for flatpicked guitar and mandolin. We primarily play traditional fiddle tunes, Bluegrass, Old-time, and a little Celtic and Blues. World Premiere: Stuttgart Ballet, Revised version May 1, 1984, Netherlands Dance Theatre We are Mike Stangelandand Kim Davisand we both play guitar and Mike plays mandolin.A Midsummer Night’s Dream at Hartwood Acres. ![]()
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